The Unfinished Modernisation: Women’s Cinema in China’s Reform Era
In the reform period of China’s 1980s, more women directors emerged and created images at odds with the stereotypical representation of ‘Chinese women’. As Lidan Hu contends, these women directors provide alternative visions of the modernisation of Chinese cinema and call attention to the fundamental issues concerning modern female subjectivity. Lu Xiaoya (陆小雅, b. 1941), a former actress who transitioned to directing in the late 1970s, has consistently foregrounded social issues in her work, with a particular emphasis on women's experiences.