The place of many moods: Udaipur's painted lands and India's eighteenth century
As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. In iterating exuberant and ephemeral atmospheres of their city of lakes, painters from Udaipur viewed the moods of places as open to adaptation, admiration, and assimilation.