What Remains Invisible Still: Fukushima by Tsuchida Hiromi (2018) as the Formation of a Metaphor
Maki Fukuoka’s research and teaching interests are coordinated by two broad axes: histories of seeing and alternative modes of knowing. Her first book, The Premise of Fidelity: Science, Visuality and Representing the Real in Nineteenth-Century Japan, excavated how the notion of shashin, which came to be used for photography in the 19th century, circulated and articulated a particular need of knowing among the practitioners of materia medica. This paper focuses on contemporary photography, namely Tsuchida Hiromi's publication Fukushima (2018).